Dibakar Banerjee
Dibakar Banerjee is one of the new-age film makers who is responsible for changing the language and tone of cinema in the 2000s.
Cinema is one of the most powerful mediums of expression. Positive or negative, the influence is breathtakingly enormous. We will surely discuss these two faces of cinema in detail but first of all, we will talk about the sheer magic of the art.
Dibakar Banerjee is one of the new-age film makers who is responsible for changing the language and tone of cinema in the 2000s.
When she played “Bahar” in Mughal-e-Azam, there was a lot of Nigar Sultana in the role—headstrong, beautiful, a great tactician and planner with dreams as bright as her eyes and as big as her heart. I always think that Bahar could have been a great queen—shrewd, cold, calculated, and practical—and Nigar was the quintessential Bahar;
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Nothing was common in Balraj Sahni; an intellectual, an artist, an actor par excellence, and a figure revered by millions of people across the world, but he was known for playing the common man to perfection. Whether it is a farmer, a labourer, a white-collar job holder, a retired father, or a helpless older man
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