Cinema is one of the most powerful mediums of expression. Positive or negative, the influence is breathtakingly enormous. We will surely discuss these two faces of cinema in detail but first of all, we will talk about the sheer magic of the art.
Raj Kapoor, the showman, was an artist who weaves magic through his camera. Kapoor the showman had a signature style – larger-than-life movies with grand sets and grander music. But his best work comes in low-key films. One of them is “Jagte Raho,” written by legendary Khwaja Ahmad Abbas. Thespians Sombhu Mitra and Amit Maitra
"Teesri Kasam," the swan song of Shailendra, his life's ambition, and the only movie he produced.
Dilip Kumar and Meena Kumari, often hailed as the ‘Tragedy King’ and ‘Tragedy Queen’ of Indian cinema, surprised audiences with their cheerful roles in Azaad (1955) and Kohinoor (1960). Despite their reputation for intense and emotional dramas, the duo embraced a lighter side for these films. when an unknown printer took a galley of type
Nargis and Dilip Kumar shared the silver screen in seven films, from Anokha Pyar (1948) to Deedar (1951). Their on-screen chemistry was electric, a perfect blend of Nargis’s fire and Dilip’s fervor. In Mela (1948), they portrayed childhood sweethearts, torn apart by fate. Andaz (1949), directed by Mehboob Khan, unfolded a love triangle with Nargis,
Kamini Kaushal and a young Dilip Kumar shared the screen in films like Shaheed (1947), Nadiya Ke Paar, Shabnam (both in 1948), and Arzoo (1950). Their on-screen chemistry was a blend of contrasts, with Dilip’s nuanced approach complementing Kamini’s natural tenor. The sparks of romance ignited between them during the filming of Shaheed. However, Kamini
“Anupama,” a cinematic gem from 1966 directed by the masterful Hrishikesh Mukherjee. the film takes us on an emotional journey delving into the complexities of a father-daughter relationship. It stars thethe charismatic Dharmendra, and enchanting Sharmila Tagore. The supporting cast consist of Shashikala, Deven Verma, Surekha Pandit and Tarun Bose. The film weaves a sensitive
Mahanati Savitri was not only a trailblazing actress but also a singer and filmmaker. Known for her versatility, grace, and powerful performances.
One of the most accomplished filmmakers of his generation, Shekhar Kapur is not only a director; he is a visionary who is known for films like “Masoom,” “Mr. India,” “Bandit Queen,” and the Oscar-winning “Elizabeth” and “Elizabeth: The Golden Age.” In this universe, and this existence, where we live with this duality of whether we
Saroj Khan, legendary choreographer and teacher to some of the greatest dancers of Indian cinema, from Sridevi to Madhuri Dixit to Govinda and Aishwarya Rai
