Cinema is one of the most powerful mediums of expression. Positive or negative, the influence is breathtakingly enormous. We will surely discuss these two faces of cinema in detail but first of all, we will talk about the sheer magic of the art.
It’s been over six decades since Mughal-e-Azam was released, but it remains one of the most talked-about films of all time. We often talked about its music, sets, costumes, story dialogues, performances, K. Asif’s passion, or even the personal relationships of the people involved. Although a few technical things remain underrepresented, like its editing and,
The maestro behind the lens, Venkatarama Pandit Krishnamurthy, fondly known as VK Murthy (1923-2014) was a magician who gave us films like Sahib Bibi Aur Ghulam (1962), Chaudhvin Ka Chand (1960), Kaagaz Ke Phool (1959), Pyaasa and Many More. VK Murthy carved his niche and left a permanent mark in Indian cinematography, especially during the
