Cinema is one of the most powerful mediums of expression. Positive or negative, the influence is breathtakingly enormous. We will surely discuss these two faces of cinema in detail but first of all, we will talk about the sheer magic of the art.
Awtar Krishna Kaul’s “27 Down (1974)” stands as a singular achievement in Indian New Wave cinema. Released as his only directorial venture, the film adapts Ramesh Bakshi’s novel “Athara Sooraj Ke Paudhe.” It is a poignant exploration of urban alienation, personal sacrifice, and the relentless pursuit of dreams. The film delves into the complexities of
“Sahib, Bibi Aur Ghulam“, a cinematic gem, directed by Abrar Alvi and produced by the legendary Guru Dutt. The film, released in 1962, is based on the Bengali novel “Saheb Bibi Golam” by Bimal Mitra. It is widely celebrated as one of the most powerful films, Indian cinema ever produced. The film narrates the story
In the realm of Indian cinema, there exists a shining jewel of great beauty. A film that transcends time and space and leaves a permanent impact on the hearts of “cinephiles—”Pakeezah.” This magnum opus stands not only as proof of the artistic genius of Kamal Amrohi. It is a testament to the ethereal grace of
Raj Kapoor, the showman, was an artist who weaves magic through his camera. Kapoor the showman had a signature style – larger-than-life movies with grand sets and grander music. But his best work comes in low-key films. One of them is “Jagte Raho,” written by legendary Khwaja Ahmad Abbas. Thespians Sombhu Mitra and Amit Maitra
