Amar Singh Chamkila (21 July 1960 – 8 March 1988) was young, talented, and loved by the masses. People were mad about his music, but at the height of his career, Chamkila and his wife, Amarjot, were shot down, along with two members of their band. It was March 8, 1988, and he was only 27.
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Willum Skeener
No one knows exactly what happened; the case was never solved. There are several theories, rumours, and speculations. Some people say that his rivals, who were jealous, got him killed, and some say that due to his objectionable songs, certain sections of society were against him. Also, it was the time when Punjab was under militancy and violence, and some people believe that he was killed by militants.
Amar Singh, originally Dhanni Ram, was born on July 21, 1960, in Dugri village near Ludhiana, Punjab, to a Dalit Sikh family. Amar Singh Chamkila is regarded as one of the best live-stage performers that Punjab has ever produced and is extremely popular with the village audience. He gained fame for his vibrant language, high-pitched vocals, and unique compositions, backed by skilled Tumbi playing.
Chamkila’s popularity soared, and he became a sensation in Punjabi music. Widely recognized as one of the greatest and most influential Punjabi artists of all time, Chamkila’s music was deeply rooted in the rustic life of Punjab.
His songs delved into the intricacies of Punjabi culture, exploring themes such as extra-marital relationships, the rites of passage into adulthood, the nuances of drinking and drug use, and the fiery temperaments of Punjabi men. While some critics deemed his music obscene, supporters hailed it as a candid commentary on the realities of Punjab.
Chamkila’s repertoire includes iconic hits like “Pehle Lalkare Naal” and devotional gems such as “Baba Tera Nankana” and “Talwar Main Kalgidhar Di.” Among his notable compositions is “Jatt Di Dushmani,” widely popularised by various Punjabi artists. The journey to fame commenced with his first-ever recorded song, “Takue Te Takua,” establishing Chamkila as an enduring presence in the hearts of Punjabi music enthusiasts.
